The Exhibition:
Artists Include: Zanny Begg and Oliver Ressler; Filippo Berta; Libia Castro and Ólafur Ólafsson; Julia Christensen; Paolo Cirio; Field Work; Yevgeniy Fiks, Olga Kopenkina and Alexandra Lerman (Reading Lenin with Corporations); flo6x8; Melanie Gilligan; Jan Peter Hammer; Alicia Herrero; Institute for Wishful Thinking; Sherry Millner and Ernie Larsen; Isa Rosenberger; Dread Scott; and Superflex. (Damon Rich, Superflex, Aaron Burr Society/Occupy Museum, Pablo Helguer, and Larry Bogad participated in select venues.) ABOUT THE BOOK GO HERE: CLICK
The economic crisis that we face today has also become a major crisis for representative democracy. The very idea of the modern nation state is in jeopardy as the deterritorialized flow of finance capital melts down all that was once solid into raw material for market speculation. It is the social order itself, and the very notion of governance with its archaic promise of security and happiness that has become another kind of modern ruin.
It’s the Political Economy, Stupid brings together an international group of artists who focus on the current crisis in a sustained and critical manner. Rather than acquiesce to the current calamity, this exhibition asks if it is not time to push back against the disciplinary dictates of the capitalist logic and, by use of artistic means, launch a rescue of the very notion of the social itself.
The Austrian Cultural Forum New York is pleased to present this new group exhibition which was curated by the Austrian-American team of Oliver Ressler and Gregory Sholette. The show derives its title from the slogan which in the early 1990s came to define then presidential candidate Bill Clinton’s campaign, “It’s the economy, stupid”.
PRESS QUOTES:
“In the wake of the capitalist crisis, very few cultural institutions have dared to address the horrors of greed that plague us in such a direct and haunting way as the Austrian Cultural Forum.” – Alexander Cavaluzzo, Hyperallergic.com, Feb. 13, 2012
“Curated by Gregory Sholette and Oliver Ressler, this is a good old political exhibition, full of sarcasm, hope, protest, and information.” – William Corwin, Saatchi Online Magazine, Feb. 21, 2012
A “confrontational, intellectual, and occasionally amusing group show, which squarely aligns itself with the Occupy movement.” – Robert Shuster, The Village Voice, Feb. 8, 2012
“Curated by Oliver Ressler and Gregory Sholette, this is a smart exhibition that I suspect will be preaching to the converted, but in style. […] This is the gallery version of Occupy Wall Street.” – Andrea Kirsh, Feb. 14, 2012, theartblog.org
“Visible from the sidewalk on a block that the Austrian Cultural Forum shares with Cartier, Ferragamo and Tourneau, the work [by Dread Scott] affirms a disheartening truth about the cultural mindset this well-curated exhibition aims to critique: many would prefer to see their money burn than have it distributed equitably.” –David Markus, Art in America, Mar. 28, 2012
“Ressler’s and Sholette’s show does indeed achieve its objectives, occupying the Austrian Cultural Forum through a diverse range of artworks stemming from the 2008 crisis of finance capitalism. It does so principally by drawing together a selection of works which both educate and entertain, offering invaluable information and welcome critical reflection.” – Thom Donovan, Art:21 Blog, Apr. 16, 2012
Timeline and exhibition venues thus far:
Open Space – Zentrum für Kunstprojekte
Vienna, Austria March 16 – April 25 2011
Austrian Cultural Forum New York
New York, NY Jan 24 – April 12, 2012
Thessaloniki Center of Contemporary Art
Thessaloniki, Greece June 27– October 14, 2012
Pori Art Museum
Pori, FInland Jan 1 to May 26, 2013
Center for Cultural Decontamination
Belgrade, Serbia Sept 30 – Oct. 6 2013
https://www.facebook.com/events/1420525268169474/
http://www.rosalux.rs/en/artikl.php?id=290
Gallery 400
University of Illinois, Chicago,
November 1 – December 14, 2013
Gallery Nova
Zagreb, Croatia December 18, 2013 – October 5, 2014
NeMe-IMCA Space
Limassol, Cyprus
October 11 June 6 2014
Exhibition images from Noel Douglas’ website Here
Gregory Sholette & Oliver Ressler Lecture from NeMe Here
Reed Gallery
University of Cincinnati, Ohio, February 15th – April 10th, 2016
Exhibition Reviews:
“An appropriated form for spectacular action” by THOM DONOVAN in Jacket 2 online magazine
Markus, David, “It’s the Political Economy, Stupid.” Art in America, March 28
Alexander Cavaluzzo for HYPERALLERGIC
Village Voice: Best in Show by Robert Shuster, Wed. Feb. 8, 2012
Wie reagiert die Kunst auf die Krise? Ausstellung im Austrian Cultural Forum in New York
Other Reviews:
http://www.undo.net/it/mostra/132684
http://www.grreporter.info/en/30_artists_%E2%80%9Cspeak%E2%80%9D_crisis/7173
http://www.briefingnews.gr/politismos/item/28453
http://www.athensvoice.gr/article/culture/events/its-the-political-economy-stupid
http://goanergego.blogspot.com/2012/07/its-political-economy-stupid.html
http://art.newcity.com/2013/11/19/review-its-the-political-economy-stupidgallery-400/
http://blog.expositionchicago.com/art-seen-chicago/gallery-400-events-and-exhibitions/
Interviews:
Bad At Sports interviews Gregory Sholette and Oliver Ressler
